The banquet table and the heritage panels in the adjacent hall pay tribute to over 1,000 historical women figures, from the ancient goddesses of old religions and myths, right down to twentieth-century contemporary feminists and their works. Every aspect of "The Dinner Party," right down to the hand-painted decorative plates and the shape of the dinner hall, alludes to the power of the feminine mystique. It was amazing and awe-inspiring to be in such a place, and somehow I felt connected to all the women in the past who have paved the way for the rest of us to become empowered and active members of our society. It felt sacred. The conversation that Lily and I had regarding our plans for our futures while standing in that space made the experience that much more powerful to me.
Judy Chicago (American, b. 1939). The Dinner Party (Mary Wollstonecraft and Sojourner Truth place settings), 1974–79. |
Our other friends finally came about an hour later, and so we made our way to the Botanic Garden. We had a blast that afternoon in the garden, just enjoying the beautiful scenery and the fresh summer air. One of the security guards tried flirting and hitting on one of my friends. He singled us out for having blanket out on the grass (even though there was a mother with her kids with a bigger blanket laid out) and then asked us if we'd like to take a tour of the rose garden ("That must be why you lovely ladies came to the Botanic Garden, right? To see the roses?" he asked). We exchanged amused smiles as Renee panicked and kept shaking her head, looking too freaked out to tell the guard that she wasn't interested. So Liliana took the lead and refused for her while the rest of us tried to hold back our laughter until the guard finally left us alone. The whole thing was pretty hilarious, since we weren't even interested in going to the rose garden, let alone on a tour of one. I mean, what's there to take a tour of? It's a garden, full of ROSES. Go figure. Though, I have to give the guy a little credit. As cheesy as his lines were, at least he tried.
This is going to sound a little hokey, but I felt like I was at a crossroads in my life, what with that internship I have this summer, the prospect of becoming a college senior, and the somewhat-confusing-yet-exciting possibility of what could be either a good friendship or a blossoming romance with that certain someone (I hate thinking that maybe things will fizzle out over time).
Hanging out and laughing with my friends, though, helped me stop worrying so damn much about my own uncertainty about the future. In each of our own ways, we were all confused about life. Though we may have an idea of what we want to do in the future, we don't know if any of it will work out. The one faith that we all share is that things will work out eventually. No matter where we end up somewhere down this twisting and winding path that we call life -- even if we all end up cat ladies! -- at least we'll still have each other.
Sunday, June 5th was pretty interesting, to say the least. My mother, my sisters, and I marched in the Philippine Independence Day Parade, like we usually do every year, with Regal Court No.1 of the Order of the Amaranth (a masonic organization). I wasn't expecting the parade to be so crowded, since last year there didn't seem to be that many people, but man, was I wrong about that. I learned on that very same day that Jericho Rosales, a famous and talented (and incredibly good-looking!) actor from the Philippines was there at the parade and would be giving a live performance at the cultural festival. My sisters and I saw him in "Pangako Sa 'Yo" and the more recent drama "Green Rose" on TFC, so of course we had to try and see him. Together with our fellow Rainbow girl Camille, we linked arms and made our way through the super-congested crowds toward the stage and tried to get as close to the front as possible.
It was totally worth it, because we were less than twenty-five feet away from the stage and we got a close view of the performances and of Jericho's handsome, smiling face as he came on stage and sang. My sister and I kept screaming like a couple of excited fan-girls. I never I had it in me, but damn was I excited to see Echo perform! My sis and I even made jokes with each other, playfully arguing with each other that Jericho only had eyes for one of us, since he kept lingering in the corner of the stage which we were facing. Though it's foolish to even entertain the thought, I still maintain that Jericho was looking at me, ahaha.
Anyway, below is one of videos that I had my sister record on my iPod (she's an inch taller than me, haha) of one of the songs Jericho performed, "Change the World," originally by Eric Clapton. Jericho has pretty good vocals:
He even took a picture of the crowd on his phone and posted it on his Twitter. Try to spot my sister in there if you can -- she's the one wearing a pink long-sleeved sweater standing somewhere near his head on the far right of the picture, hehe.
I was standing right next to her, but you can't see me because the picture cuts off already. Oh well. It's enough that I got to see one of my favorite Filipino actors. I'm looking forward to next year's parade. I wish Jericho will be the special celebrity guest again, but that's probably unlikely, haha. We'll just have to see what happens.
As a Filipino and as an American, it's pretty confusing trying to figure out what the heck I'm supposed to be. Who am I? What is my identity? I'm actually of a mixed background -- my great grandfather on my mom's side (my Lola's father, to be exact) immigrated to the Philippines from China, and I have a great-grandmother on my dad's side who was half-Spanish and half-Filipino. So I look a little chinky-eyed and lighter-skinned for a Pinay. Yet I don't identify myself as being Chinese or Spanish. Ethnically, I'm a Filipina who happens to be mestiza. Culturally, I consider myself to be a New Yorker and then an American. I was born in Brooklyn, I live in Queens, and I go to school in Manhattan, so I identify most with being a New Yorker. I'm a New Yorker who happens to be of Filipino heritage.
It's only now that I'm trying to branch out and take a deeper look at my roots. I started out asking my parents what their lives were like growing up in Kalaoocan (my mom's hometown) and in Malabon (my dad's hometown), which are towns located near Manila. They'd tell me stories about their childhood -- my dad's would be more anecdotal, whereas my mom would use these stories as an opportunity to teach us something about Filipino values. Then I started watching Filipino soap operas, and it became easier to keep up with the shows once my mom finally decided to get the On-Demand package from TFC. I still find some of the shows a little too melodramatic for my own personal taste, but I guess the melodrama speaks volumes about the cultural mindset of Filipinos. Through the Asian literature classes I took at my college, especially the course "Philippine-American Literature," I learned how and why the Filipino culture and values are as complicated and as multi-layered as they are today. Then after watching a re-run episode of "Anthony Bourdain: No Reservations" on the Travel Channel, something inside me just kind of... sighed.
I felt some kind of connection toward the avid fan who persuaded Bourdain to finally continue his food travels in the Philippines. The fan was also a Filipino who was born and raised in New York (Long Island, actually), and he wanted to create a connection with his cultural roots. He's also had something of an identity crisis, just like me. It's not actually a crisis, really -- more like an intense longing, or a yearning than a crisis. We both yearned to learn more about our ethnic heritage and culture. We feel as though we're not fully Filipino and yet not fully American. Sure, we get the best of both worlds, but it's still weird to be standing in the middle. Filipinos, in my honest opinion, are like sponges -- super absorbent of other cultures and flavors, very malleable and adaptable, and above all, tough and resilient. It's a somewhat odd analogy, I know, but that's how I've come to think of my parents' homeland and its people. I like to think that it's a good thing; it means that we are able to adapt quickly to change as time moves its feet forward and the world shifts.
Anyway, whatever it is that you happen to be -- Asian, European, Native American, Hispanic, Black, Blue, Polka-dot or Zebra-striped -- I hope you also branch out and learn a thing or two. If you happen to be looking for your roots, I hope that you find rich, soulful soil somewhere.
Here's to happy summer adventures and personal discoveries, everyone! See you in the next post.
I'll leave you with a track from Anna Nalick's newly released "Broken Doll & Odds & Ends," a lovely song called "These Old Wings."
I'm so glad you enjoyed "The Dinner Party"! Hopefully next time we can get into the third floor. It was awesome seeing you and I hope we have many more adventures this summer!
ReplyDeleteSo cool that you got to march in the parade! I believe you told me you were going to, but I forgot briefly (as I often do with everything). Sounds like your summer is shaping up to be amazing.
Ah, the identity crisis. You've summed it up beautifully: many second generation folks feel the same way; we are neither here nor there. Nor will we ever be.
It's a shame people look over Filipino food; it's delicious from what I remember =)
Very nice blog.....
ReplyDeleteLocksmith Jericho, NY